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File:Metro movie eddie murphy.jpg
Metro movie poster
Directed byThomas Carter
Written byRandy Feldman
Produced byRoger Birnbaum
Eddie Murphy
CinematographyFred Murphy
Edited byPeter E. Berger
John Wright
Music bySteve Porcaro
Touchstone Pictures
Caravan Pictures
Distributed byBuena Vista Pictures
Release date
  • January 17, 1997 (1997-01-17)
Running time
117 minutes
CountryUnited States
Budget$55 million
Box office$32,000,301 (domestic)

Metro is a 1997 American action comedy thriller film which was directed by Thomas Carter, produced by Roger Birnbaum, and starring Eddie Murphy as Scott Roper, a hostage negotiator and inspector for the San Francisco Police Department who immediately seeks revenge against a psychotic jewel thief, Michael Korda (Michael Wincott), who murdered Roper's best friend, Lt. Sam Baffert (Art Evans). Released on January 17, 1997 in the United States, Metro grossed $32,000,301 in the domestic market, which failed to bring back its $55,000,000 budget.


Scott Roper (Eddie Murphy) is the best hostage negotiator in San Francisco. His girlfriend Veronica "Ronnie" Tate (Carmen Ejogo) is a newspaper reporter.

While listening to a horse race on his car stereo, Scott is called downtown where a man named Earl (Donal Logue) is holding 17 hostages in a bank. Scott rescues the hostages by shooting Earl, though Earl's wound is non-fatal.

Scott is then assigned a partner – sharpshooter Kevin McCall (Michael Rapaport). That night, Scott takes his friend, Lieutenant Sam Baffert (Art Evans), to see a man named Michael Korda (Michael Wincott).

Scott waits downstairs while Sam is in Korda's apartment. Sam asks Korda about a man who deals in stolen jewellery, because Sam suspects that some of the dealer's jewels came from Korda, who is a professional jewel thief. Sam's visit with Korda ends with Korda violently stabbing Sam to death in an elevator. When Scott hears a woman in the building scream at the sight of Sam's body, Scott rushes to the elevator and witnesses Sam's corpse.

Scott wants to make Korda pay for killing Sam, but Captain Frank Solis (Denis Arndt) refuses to let Scott work the case, so Scott decides to work the case on his own.

Scott and Kevin later are called to a downtown jewellery store where hostages are being held. When Scott sees that Korda is the hostage taker, Korda grabs a hostage and leaves in a truck. Scott and Kevin use Captain Solis's car to chase Korda. Korda wrecks the truck, and boards a cable car, shoots the operator when he challenges Korda, the cable car accelerates to runaway speed, while Scott and Kevin chase the cable car. While up close, Scott jumps onto the cable car, leaving Kevin to drive Solis's car.

Scott and Kevin manage to stop the cable car, and they chase Korda into a parking garage, where Korda tries to run Scott over with a car. Scott and Kevin still manage to apprehend Korda.

During visitation at the jail with his cousin Clarence Teal (Paul Ben-Victor), Korda orders Teal to kill Ronnie as a way to seek revenge on Scott. Teal shows up at Ronnie's apartment and attacks Ronnie. Scott arrives just in time and chases Teal down the fire escape, and after a knife fight, Teal is hit and killed by a car. An angry Scott visits Korda in jail and warns him to stay away from Ronnie, showing him an autopsy picture of Teal, which enrages Korda.

On the next morning, Korda escapes from the jail. Soon after, he kidnaps Ronnie, luring Scott and McCall into a confrontation at an abandoned shipyard. Korda threatens to kill Ronnie by decapitating her on the cutting machine she is pinned to if Scott doesn't follow his instructions. While all of this is going on, McCall is situated atop a building outside with his sniper rifle watching the action. During the sequence, Korda prepares to run over Scott with his sports car. However, as he is charging towards Scott, Korda is shot at by McCall, causing him to miss Scott completely and crash through the front of the warehouse building. Scott then goes to free Ronnie from the cutting machine. After a shoot-out between Korda and McCall, the latter is shot once in the abdomen but survives. Scott then chases after Korda in Scott's truck, and after a lengthy battle over control of the truck, Scott leaps out of the way as Korda rams into a stack of explosive barrels and is killed in a massive explosion.

The movie ends with Scott and Ronnie relaxing on their vacation at a Tahitian beach resort.


  • Eddie Murphy - Insp. Scott Roper
  • Kim Miyori - Detective Kimura
  • Art Evans - Lt. Sam Baffett
  • James Carpenter - Officer Forbes
  • Michael Rapaport - Kevin McCall
  • Carmen Ejogo - Veronica "Ronnie" Tate
  • Michael Wincott - Michael Korda
  • Donal Logue - Earl



The movie received generally negative reviews from critics who felt that Murphy had done the film many times previously. It has 15% on Rotten Tomatoes, despite Roger Ebert giving the film a favorable review; he said "[t]he big action scenes are cleverly staged and Eddie Murphy is back on his game again, with a high-energy performance and crisp dialogue."[1] Another negative review came from Stephen Holden of The New York Times, who called the film "aimless" and stated that "[t]he vehicular pirouettes and ski jumps are so exaggerated that they correspond neither to the urban geography nor to the laws of physics. And the jiggling camera can't blur the careless mechanical stitching in a sequence that tries to make up for in length what it lacks in inventiveness. After all, when you've seen one spinning car, haven't you seen them all? And hasn't this demolition derby been staged several times before on the same streets with infinitely more pizazz and zest for destruction?"[2] Michael Wilmington agreed, saying "If it weren't for all the jokes [...] the movie might be unintentionally funny," and that "For most of the people who made "Metro," shamelessness is probably a virtue, like good muscle tone. At the end, writer Feldman has actually dreamed up a variation on the old silent movie chestnut, where the mustache-twirling villain has the heroine tied to a sawmill plank. I'm not even sure this scene is intended humorously; the actors and director all milk it dry. And, except for Murphy's rapid-fire badinage, "Metro" has the kind of writing that suggests a mind filled with heroines tied to sawmill planks."[3]

Box office[]

The movie debuted with $9.3 million.[4] Metro eventually brought in $32,000,301 domestically, barely recovering it's $55 million budget.[5]


  1. "Metro". Chicago Sun Times. Retrieved 2012-05-31.
  2. "Ignoring Physics and Geography For Spills". The New York Times. Retrieved 2012-05-31.
  3. "Eddie Murphy Wisecracks Through `Metro'". Chicago Tribune. Retrieved 2012-05-31.
  4. "Beverly Hills Ninja Edges 'Metro' to Top Box Office". Los Angeles Times. Retrieved 2012-05-31.
  5. "Metro (1997)-Box Office Mojo". Retrieved March 22, 2015.

External links[]

Template:Thomas Carter