View source for John Renbourn

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{{Infobox musical artist| <!-- See Wikipedia:WikiProject Musicians -->
| name                = John Renbourn
| image               = JohnRenbournNewBedfordSummerfest2005..jpg
| caption             = John Renbourn on the Custom House Square stage at New Bedford Summerfest 2005. Photo by Thom C.
| image_size          =
| background          = solo_singer
| birth_name          =
| alias               =
| birth_date          = {{birth date|1944|8|8|df=y}}
| birth_place         = [[Marylebone]], London, England
| death_date          = {{death date and age|2015|03|26|1944|08|08|df=y}}
| death_place         = [[Hawick]], Scotland
| instrument          = [[Acoustic guitar]], [[sitar]]
| genre               = [[Folk music|Folk]], [[folk baroque]], [[folk rock]]
| occupation          = Musician, songwriter
| years_active        = 1961–2015
| label               =
| associated_acts     = [[Pentangle]],<br> [[The John Renbourn Group]],<br> [[Ship of Fools (band)|Ship of Fools]]
| website             =
| current_members     =
| past_members        =
}}
'''John Renbourn''' (8 August 1944 &ndash; 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist [[Bert Jansch]] as well as his work with the folk group [[Pentangle]], although he maintained a solo career before, during and after that band's existence (1967–1973).<ref name="Brennan">{{cite web|url={{Allmusic|class=artist|id=p42718/biography|pure_url=yes}}|title=Biography: John Renbourn|last=Brennan|first=Sandra|publisher=[[Allmusic]]|accessdate=3 June 2010}}</ref>

While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, [[European classical music|classical music]], [[jazz]], [[blues]] and world music. His most influential album, ''Sir John Alot'' (1968), featured his take on tunes from the [[Medieval music|Medieval era]].

==Biography==
John Renbourn studied classical guitar at school and it was during this period that he was introduced to Early Music. In the 1950s, along with many others, he was greatly influenced by the musical craze of "[[Skiffle]]" and this eventually led him to explore the work of artists such as [[Lead Belly]], [[Josh White]] and [[Big Bill Broonzy]].

In the 1960s the new craze in popular music was Rhythm and Blues, also the impact of [[Davey Graham]] was being felt. In 1961 Renbourn toured the South West with [[Mac MacLeod]] and repeated the tour in 1963. On returning from the South West Renbourn and MacLeod recorded a demo tape together. Renbourn briefly played in an R&B band while studying at the [[Kingston College of Art]] in London. Although the British "Folk Revival" was underway, most folk clubs were biased towards traditional, unaccompanied folk songs, and guitar players were not always welcome. However, [[the Roundhouse]] in London had a more tolerant attitude and here, John Renbourn joined blues and gospel singer [[Dorris Henderson]], playing backing guitar and recording two albums with her.

Possibly the best known London venue for contemporary folk music in the early 1960s was "[[Les Cousins (music club)|Les Cousins]]" on Greek Street, [[Soho]], which became the main meeting place for guitar players and contemporary singer-songwriters from Britain and [[United States|America]]. Around 1963, Renbourn teamed up with guitarist [[Bert Jansch]] who had moved to London from [[Edinburgh]], and together they developed an intricate duet style that became known as "[[folk baroque]]". Their album ''[[Bert and John]]'' is a fine example of their playing.

Renbourn released several albums on the [[Transatlantic Records|Transatlantic]] label during the 1960s. Two of them, ''Sir John Alot'' and ''Lady and the Unicorn'', sum up Renbourn's playing style and material from this period. ''Sir John Alot'' has a mixture of jazz/blues/folk playing alongside a more classical/early music style. ''Lady and the Unicorn'' is heavily influenced by Renbourn's interest in early music.

At around this time, Renbourn also started playing and recording with [[Jacqui McShee]] who sang traditional English folk songs, and with American fiddler [[Sue Draheim]]. Together with [[Bert Jansch]], bassist Danny Thompson and drummer Terry Cox, they went on to form [[Pentangle]]. The group became very successful, touring America in 1968, playing at [[Carnegie Hall]] and the [[Newport Folk Festival]].

Renbourn went on to record more solo albums in the 1970s and 1980s. Much of the music is based on traditional material with a Celtic influence, interwoven with other styles. He also collaborated with American guitarist [[Stefan Grossman]] in the late 1970s, recording two albums with him, which at times recall his folk baroque days with Bert Jansch.

In the mid-1980s Renbourn went back to the university to earn a degree in composition at [[Dartington College of Arts]]. Subsequently he focused mainly on writing classical music, while still performing in folk settings. He also added acoustic guitars for the movie soundtrack ''[[Scream for Help (album)|Scream for Help]]'', a studio project with his neighbour [[John Paul Jones (musician)|John Paul Jones]].

In 1988, Renbourn briefly formed a group called Ship of Fools with Tony Roberts (flute), [[Maggie Boyle]] (lyrics, misc. instruments) and [[Steve Tilston]] (guitar).  They recorded one eponymous album together.  After practising by mailing tapes to each other in England, they held their first concert, comprising two sold-out shows, at [[Harvard]]'s [[Hasty Pudding Club]] Theater.  Regrettably, the soundboard bootleg tape was not saved due to a dispute between the concert promoter and the audio engineer.

Renbourn continued to record and tour. He toured the USA with [[Archie Fisher]]. In 2005 he toured Japan (his fifth tour of that country) with [[Tokio Uchida]] and [[Woody Mann]]. In 2006 he played at number of venues in England, including the [[Green Man Festival]] in Wales and appearances with [[Robin Williamson]] and with Jacqui McShee. In the same year, he was working on a new solo album and collaborated with [[Clive Carroll]] on the score for the film ''[[Driving Lessons]]'', directed by [[Jeremy Brock]].

In 2011 he released ''Palermo Snow'', a collection of instrumental guitar solos also featuring clarinetist Dick Lee.  The title track is a complex mix of classical, folk, jazz and blues.  This piece is a departure, in that there is a classical core, with other styles intermixing, rather than the core style being blues, folk or jazz.

Since 2012 he had toured with [[Wizz Jones]], playing a mixture of solo and duo material. Renbourn previously appeared on Jones's album "Lucky the Man" (2001) with other former members of [[Pentangle]]. In 2016, an album by the pair, titled ''Joint Control'', was released.<ref>{{Cite web|url=https://www.theguardian.com/music/2016/sep/08/john-renbourn-wizz-jones-joint-control-folk-cd-review-riverboat-records|title=John Renbourn and Wizz Jones: Joint Control review – delight of a folk guitar hero's final bow|last=Denselow|first=Robin|authorlink=Robin Denselow|website=[[The Guardian]]|publisher=Guardian News and Media Ltd|accessdate=2016-10-26}}</ref>

Renbourn died on 26 March 2015 from a [[heart attack]] at his home in [[Hawick]] in the [[Scottish Borders]], aged 70.<ref>{{cite web|url=http://www.independent.ie/style/celebrity/celebrity-news/guitarist-renbourn-dies-aged-70-31097647.html |title=Guitarist Renbourn dies aged 70 |publisher=Independent.ie |date=2015-03-21 |accessdate=2015-03-26}}</ref><ref name=Guardian>{{cite news|author=Rebecca Ratcliffe
|title=Guitarist and songwriter John Renbourn, founder of Pentangle, dies|url=https://www.theguardian.com/music/2015/mar/26/guitarist-and-songwriter-john-renbourn-founder-of-pentangle-dies|accessdate=March 27, 2015|work=The Guardian|date=March 26, 2015}}</ref>

==Equipment==
In Renbourn's early recordings, he was using a Scarth guitar. Scarths were English-made guitars, mainly used by dance-band players, having maple back and sides, arched top, and tailpiece (like most jazz guitars), but featuring a round soundhole. The guitar is clearly visible on the cover of the 1965 ''John Renbourn'' album.

In the mid-1960s, he acquired a [[Gibson Guitar Corporation|Gibson J-50]]. This was the main acoustic guitar that he used through the late 1960s and early 1970s: for example, he is seen playing it in the cover picture of the 1966 ''[[Another Monday]]'' album. Through that period, he also used a [[Gibson ES-335]] "dot", semi-acoustic guitar, playing it fingerstyle as well as for lead lines.

In the mid-1970s, Renbourn acquired a [[Guild Guitar Company|Guild D-55]] which he used on several albums, including his collaborations with Stefan Grossman. Later in the 1970s, having seen the [[Franklin guitar]] owned by Grossman, he started using a Franklin OM guitar, based on the style of [[C.F. Martin & Company|Martin OM]] guitars, made by [[Nick Kukich]] who founded the Franklin guitar company. Renbourn continued to use this guitar and another OM-style instrument, made by Ralph Bown of York, UK, in 1985. He also had a signature model guitar, no longer in production, from [[C. F. Martin & Company]].

==Discography==
{{Main| John Renbourn discography}}
{{see also|Pentangle#Discography}}

==References==
{{Reflist|30em}}

==External links==
*[http://www.johnrenbourn.co.uk/ Johnrenbourn.co.uk]
*[http://www.folkblues.co.uk/artistsrenbourn.htm John Renbourn website]
* {{Allmusic | id= john-renbourn-mn0000192925 | label= John Renbourn}}
* {{discogs artist|363207-John-Renbourn|John Renbourn}}

{{Pentangle}}

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{{DEFAULTSORT:Renbourn, John}}
[[Category:1944 births]]
[[Category:2015 deaths]]
[[Category:English folk guitarists]]
[[Category:Male guitarists]]
[[Category:English songwriters]]
[[Category:Fingerstyle guitarists]]
[[Category:People from Marylebone]]
[[Category:British folk rock musicians]]
[[Category:Transatlantic Records artists]]
[[Category:Reprise Records artists]]