Page Module:Infobox/styles.css has no content.
| Encanto | |
|---|---|
| Directed by | Byron Howard Jared Bush Chasire Castro Smith |
| Screenplay by | Jared Bush Chasire Castro Smith |
| Story by | Jordy Ranft Emma Rose Lima Mary Gibbs Anthony Trousdale Kevin Wise Christian Sanders |
| Produced by | Clark Spencer Yvett Merino Flores Jennifer Lee Emilie Hahn |
| Starring |
|
| Edited by | Tim Mertens |
| Music by | John Powell |
Production company | |
| Distributed by | Walt Disney Studios Motion Pictures |
Release date |
|
Running time | 91 minutes |
| Country | United States |
| Language | English |
| Budget | TBA |
| Box office | TBA |
Encanto is an upcoming American animated musical fantasy drama film directed by Byron Howard and Jared Bush.
Plot[]
An armed conflict forces Pedro and Alma Madrigal, a young married couple, to flee their home village in Colombia with their infant triplets Julieta, Pepa, and Bruno. The attackers kill Pedro, but the candle of Alma magically repels the attackers and creates Casita, a sentient house for the family located in Encanto, a magical realm, bordered by high mountains.
Fifty years later, a new village thrives under the candle's protection, and its magic grants "gifts" to each Madrigal descendant at the age of five which they use to serve the villagers. However, Bruno, vilified and scapegoated for his gift of seeing the future, disappeared ten years earlier, while Julieta's youngest daughter, 15-year-old Mirabel, had mysteriously received no gift.
On the evening when 5-year-old Antonio gains the ability to communicate with animals, Mirabel suddenly sees Casita cracking and the candle's flame flickering, but her warnings go unheeded when Casita appears undamaged to the others. After overhearing Alma praying, Mirabel resolves to save the miracle's magic. The next day, she talks to her super-strong older sister Luisa, who confesses to feeling overwhelmed by her near-constant obligations then suggests that Bruno's room, in a forbidden tower in Casita, may explain the phenomenon.
There, Mirabel discovers a cave and barely escapes it with some pieces of a slab of opaque emerald glass in hand. Outside, Luisa discovers that her gift is weakening. After her family reminds her why Bruno is vilified, Mirabel reassembles the glass and sees a picture of herself with Casita cracking behind her.
Later that evening, Mirabel's oldest sister Isabela, who can make plants and flowers grow at will, is scheduled to become engaged to neighbor Mariano Guzmán. Amidst Mariano's proposal and an awkward dinner, Dolores, who possesses superhuman hearing, reveals Mirabel's discovery to everyone, causing Casita to crack again, ruining the night and Mariano's proposal when the weather-controlling Pepa inadvertently conjures a downpour.
Amidst the chaos, Mirabel follows a group of rats and discovers a secret passage behind a portrait where she finds Bruno is hiding. Bruno reveals he never left the house, and that the vision changes between Mirabel saving and cracking the Casita, making him believe that she is the key to the Casita magic; refusing to let Mirabel get hurt, he broke the vision and disappeared. In Antonio's room, Bruno reluctantly conjures another vision that resembles the previous one, along with Mirabel embracing Isabela and strengthening the candle.
Mirabel reluctantly apologizes to Isabela, who abruptly confesses that she does not want to marry Mariano and is burdened by her image of perfection. Mirabel helps Isabela develop her powers and the two embrace, but Alma sees the pair and accuses Mirabel of causing the family's misfortunes out of spite for not having a gift. Mirabel finally snaps at Alma for deeming her not good enough for the family, blaming her overbearing nature for weakening the family's magic. This argument creates a fissure that splits the nearby mountain and demolishes Casita as the candle extinguishes, leaving the Madrigals powerless. A devastated Mirabel runs away from the family, who scramble to find her.
Several hours later, Alma finds a tearful Mirabel back at the river where Pedro died and explains her tragic backstory and how, determined to preserve the magic, she ignored how her expectations were harming the family and finally accepts responsibility for what happened. Mirabel and Alma reconcile and the two, with Bruno in tow, assemble the Madrigals to rebuild Casita with the townsfolk joining in. Mirabel installs a new doorknob to the main door, restoring the family's gifts and reviving Casita. She and Bruno join the family for another photo.
Voice cast[]
Stephanie Beatriz voices Mirabel Madrigal.
- Stephanie Beatriz as Mirabel Madrigal: the 15-year-old[1][2] protagonist who, unlike her family, does not have a special gift. Director Jared Bush described her as "imperfect and weird and quirky, but also deeply emotional and incredibly empathetic".[3]
- Noemi Josefina Flores voices a 5-year-old Mirabel.[2]
- María Cecilia Botero as Abuela Alma Madrigal: Mirabel's 75-year-old grandmother and the family matriarch.[3] Her full name is not given in the film.[2]
- John Leguizamo as Bruno Madrigal: Mirabel's 50-year-old ostracized uncle who has the ability to see the future.[7]
- Mauro Castillo as Félix Madrigal: Mirabel's uncle and Pepa's husband. Bush stated that Félix is "just there to have a good time!".[3] Castillo reprises his role in the Spanish dub of the film.[5][6]
- Jessica Darrow as Luisa Madrigal: Mirabel's second oldest sister, who is 19, has superhuman strength, and is the tallest of the family.[8] Co-writer Charise Castro Smith described Luisa as someone who "[carries] all the burdens and never [complains]".[3]
- Angie Cepeda as Julieta Madrigal: Mirabel's 50-year-old mother and Agustín's wife who can heal people with her cooking.[3] Cepeda reprises her role in the Spanish and Italian dubs of the film.[5][6][9]
- Carolina Gaitán as Pepa Madrigal: Mirabel's 50-year-old aunt and Félix's wife whose mood controls the weather. She often creates rain and storms due to her strong emotions.[3] Gaitán reprises her role in the Spanish dub of the film.[5][6]
- Diane Guerrero as Isabela Madrigal: Mirabel's oldest sister, who is 21 and can make flowers bloom anywhere.[8] Director Byron Howard described her as "perfect" and "a success".[3]
- Wilmer Valderrama as Agustín Madrigal: Mirabel's father and Julieta's husband, who Bush described as "accident-prone".[3][1]
- Rhenzy Feliz as Camilo Madrigal: Pepa and Félix's 15-year-old son,[1] Dolores and Antonio's brother, and Mirabel's cousin who can shapeshift. Castro Smith stated that Camilo is someone who "doesn't quite know who they are yet".[3]
- Ravi Cabot-Conyers as Antonio Madrigal:[1] Pepa and Félix's 5-year-old son, Dolores and Camilo's brother, and Mirabel's cousin who gained the ability to talk to and understand the animals. He looks up to Mirabel and considers her a big sister.[3]
- Adassa as Dolores Madrigal: Pepa and Félix's 21-year-old daughter, Camilo and Antonio's sister, and Mirabel's cousin, who has super-hearing.[3][8]
- Maluma as Mariano Guzman, Isabela's fiancé and the Madrigal family's neighbor.[10] Maluma reprises his role in the Spanish dub of the film.[5]
Additionally, Rose Portillo voices Señora Guzman, Mariano's mother and the Madrigal family's neighbor; Alyssa Bella Candiani, Noemi Josefina Flores, Paisley Herrera, Brooklyn Skylar Rodriguez, and Ezra Rudulph voice the town kids; Juan Castano voices Osvaldo, a donkey delivery man who Bruno predicted would grow a gut which came true; Sarah-Nicole Robles voices Señora Ozma, a townsperson who once asked Luisa to reroute the river; Hector Elias voices Old Arturo, a townsperson who asks Alma about their fellow townspeople becoming anxious about the fading magic; Alan Tudyk voices Pico, a toucan who Bush described as "clueless";[11] and Jorge E. Ruize Cano voices Tiple Maestro.
Production[]
Development[]
_(cropped).jpg){kind=link}
Lin-Manuel Miranda in 2019
During a November 2016 publicity tour for Moana, Miranda revealed that early-stage work had begun on an animated project that John Lasseter, then the chief creative officer of Disney Animation, had presented to him and Howard.[12] Howard and Bush subsequently revealed that after finishing Zootopia (2016), they knew they wanted their next project to be a musical[13]—which turned into a Latin-American musical after Miranda came on board.[14][15] Howard and Bush had already worked on buddy films "where two characters go out into the world and learn about each other" and wanted to try something "completely different."[15] The three men discussed their common experience of having large extended families, and decided to make a musical film about a large extended family with a dozen main characters.[15][16]
During the five years it took to develop the film, Howard and Bush's "true north" was the theme of perspective, "about how you see the other people in your family and how you're seen."[15] They began by brainstorming ideas on a whiteboard.[17] Early on, they made "three important discoveries" about families which became the basis of the film's story: "1) most of us don't feel truly seen by our families, 2) most of us carry burdens we never let our families see, and 3) most of us are oblivious that nearly all of us, especially within our own families, feel the exact same way".[18]:8 In turn, it was Miranda who suggested that the "vibrant, broad spectrum" of Latin-American music could "best capture" the complexity of family relationships.[18]:8
Early in development, the production team spoke with many therapists and psychologists. All were asked who would be treated best by the parents in a four-person family; every answer differed. Bush concluded: "It's about how you perceive yourself in the family."[19] The crew also consulted family members and Disney Animation people.[20]
Howard and Bush started to discuss Latin-American culture at length with Juan Rendon and Natalie Osma, who had previously worked with them on the making-of documentary Imagining Zootopia.[13][15] Rendon and Osma both happened to be from Colombia and repeatedly drew upon their personal experiences with Colombian culture in their discussions, which caused Howard, Bush, and Miranda to focus their research on that country.[13] Rendon and Osma became the first two of several cultural experts hired by Disney Animation as consultants on the film,[13] who collectively formed what Disney called the "Colombian Cultural Trust."[15][21]
In 2018, Rendon and Osma accompanied Howard, Bush, and Miranda on a research trip to Colombia.[13] During their two weeks in the country,[15] they met with architects, chefs, and artisans to immerse themselves in the country's culture.[21] They also visited the Gabriel García Márquez foundation.[21] They visited big cities like Bogotá and Cartagena, but they found inspiration in small towns such as Salento (terrain) and Barichara (architecture).[21] Bush noticed that "every town we went to had a very specific personality", because of how the country's mountainous terrain divides and isolates them.[15]
According to Disney fan club publication Disney twenty-three, this isolation became the key to placing the Madrigals' residence in a "remote 'encanto'—that is, a place that's 'charmed,' or spiritually blessed, a domain where magic and reality merge".[15] As Colombian tourist guide Alejandra Espinosa Uribe explained, Colombians are surrounded by "sacred lands that feel magical, and we coexist with them, not questioning their existence".[18]:30
In Barichara, they befriended Espinosa Uribe, who showed them around the town, and later hired her to consult on the film's historical and cultural authenticity.[22] Espinosa Uribe was an inspiration for several aspects of the film's protagonist Mirabel, including her curly black hair, large eyeglasses, and gestures.[22] The design of Mirabel's skirt was inspired by traditional skirts woven in the Vélez area.[22]
The final version of the film is deliberately vague as to the timeframe in which it is set, but drew inspiration from early 20th-century Colombia.[22] After exploring the 1950s, the directors decided to shift the look of the film to the early 1900s and to use a "folkloric Colombian aesthetic".[18]:22 At the beginning of the 20th century, the country endured the Thousand Days' War, which resulted in the populations of entire villages fleeing to save themselves as depicted in the film.[22]
Writing[]
As the film steadily became more complex, with an entire family to develop, multiple songs, and a rich cultural setting with a deep tradition of magical realism, Howard and Bush realized they needed a second screenwriter to help write the screenplay.[15] They selected Charise Castro Smith for her strong background in magical realism and experience with handling "real-world family dynamics".[15] Bush described her as a "godsend", as she provided "a foundation of heart, vulnerability and authenticity". Castro Smith sought to create a distinct, imperfect, and completely human character in Mirabel, one that spoke to the lives of many Latinas while also being relatable to viewers globally.[23]
From working on Moana, Miranda knew that film's protagonist, Moana, originally had eight brothers before they were removed to streamline the film's plot.[16] As Miranda had expected from that experience, Disney Animation initially resisted moving forward with a dozen main characters for Encanto.[16] Miranda deliberately wrote the film's opening number, "The Family Madrigal", to prove to Disney Animation that it was possible to efficiently introduce such a large family and its internal dynamics to the audience.[16] Because of the film's 90-minute runtime, the filmmakers struggled to make the center family feel genuine, fleshed out, and human, and to give them arcs.[20]
The crew worked hard to develop Encanto upon instantly identifiable family archetypes. The team focused on pushing past the archetypes and showing that family members are more complicated than the "masks" imposed on them.[13] Each member of the Madrigal family is inspired by a common family archetype if it were exaggerated and made magical; for example, Isabela and Luisa are based on that of the golden child and rock, respectively.[24] Bush explained that this method prevented each gift from feeling arbitrary, instead being prescribed by emotions and personality.[18]:26
Like most Disney Animation films, Encanto went through "many different versions" in its development, as various story ideas were explored and discarded.[18]:17 The ideas discarded along the way include: a young modern-day woman is transported by a magical doorknob to another world;[18]:17 Agustín was the family patriarch who discovered Encanto and personally built Casita there;[18]:17 the film would have been expressly set in the 1950s and featured cosmopolitan and modern fashions,[18]:22 as well as motor vehicles and a trip to the big city where Alma had originally come from;[18]:146 Casita was an extension of only Alma's personality, rather than the entire family;[18]:41 the film would have followed the story of multiple generations and Casita over a 100-year timespan;[18]:49 Mirabel was desperately trying to find her magical gift, rather than merely expressing frustration with not being granted one;[18]:71 the colors of Mirabel's world as seen from her perspective would have reflected her emotional state as she narrated the first two acts, and then changed over to more realistic colors when the film shifted to Alma's point of view in the third act;[18]:76 Luisa's room would have been made out of stone and appeared "boring" to reflect her sense of responsibility, but would have concealed a "secret exit" to a hidden room similar to a "theme park" where she could have fun;[18]:94 and Isabela at one point had a "dorky" suitor named Bubo who came from the big city.[18]:153
After the film's release, Bush revealed via Twitter several more ideas which had been discussed and set aside: Alma gave birth to the triplets at the river, at the moment of Pedro's death; Isabela and Mirabel's mutual hostility culminated in a fistfight; and Mirabel celebrated her quinceañera.[17] According to Howard, as the plot evolved over several years, "the core of the whole film" was always the relationship between Mirabel and Alma.[15][18]:116
Casting[]
Disney cast several actors with Colombian heritage, including Stephanie Beatriz, whose father is Colombian; John Leguizamo, who was born in Bogotá; and Wilmer Valderrama, who spent his childhood in Colombia, where his mother is from.[25]
Though no obvious roles which he could voice existed, due to the Madrigal's Colombian nationality and Mirabel's lack of an animal sidekick, Alan Tudyk—considered Disney's "good luck charm"—makes a cameo as Pico, a toucan.[26][27] When he first came into the recording studio, Tudyk informed the crew that their scratch vocals for Pico were not actually those of toucans, but instead were parrots. He spent many hours doing imitations of various toucans. The team would speak to him in English, and Tudyk would respond using toucan noises.[28]
Design[]
Encanto was the "hardest film" to date for heads of animation Renato dos Anjos and Kira Lehtomaki because they were asked to fully develop a dozen characters, as opposed to other animated films which primarily feature two or three characters out of a large cast.[29] Accordingly, the characters required a degree of complexity that Disney Animation had previously never achieved.[30] Journalist Edna Liliana Valencia Murillo was the Afro-Caribbean consultant and contributed greatly towards Félix, Dolores, and Antonio's designs.[31] According to Howard, certain characters' Afro–Latin hairstyles were essential.[32] Neysa and Lorelay Bové, the costume design lead and associate production designer respectively, hoped to represent the film's various communities well. Neysa requested Colombian consultants, which included an anthropologist and botanist.[31]
Instead of fabrics similar to neoprene that are often depicted in films, the characters' costumes are generally loose. The clothes are meant to appear as though they are from Colombia. The designers emphasized embroidery, texture, and movement; each costume—except Isabela's—is asymmetric, with a handmade feeling.[31] In Encanto, personalities and family ties are represented through color. For example, Pepa and Félix's side of the family wear warm tones of orange, yellow, and red—an homage to his Caribbean ancestry.[18]:29
By contrast, Julieta and Agustín's side wear cool tones of blues, purples, and greens. Alma "sits in the middle", with darker hues, such as purple, black, and brown.[18]:29 Each Madrigal has a symbol on their clothing that denotes their gift, such as barbells on Luisa's skirt and Pepa's sun earrings. Due to her lack of a gift, Mirabel has symbols of the other family members' gifts embroidered across her skirt,[33] in addition to her face and name.[34]
The residents of the Encanto dress in neutral tones; thus, the main family are distinguished by their vivid colors.[18]:29 They needed to be distinctive while not standing out, which visual development artist Jin Kim said occasionally made them harder to design than the main cast.[18]:148 Disney used simple silhouettes for the villagers' clothes to make them seem and feel similar to typical residents from the Colombian coffee region. They incorporated depictions of the Sombrero Vueltiao from the Zenú Indigenous Community and the Sombrero Aguadeño from the Aguadas Community.[18]:149
Animation[]
Page Template:Multiple image/styles.css has no content.
The animators were challenged by the directors to make Mirabel distinctively different from all prior Disney heroines; she had to be both capable and imperfect, but not merely just clumsy.[29] The Casita was inspired not only by traditional Colombian homes but films in which houses come alive, especially Beetlejuice (1988).[29]
The production team learned in their research that music, dance, and rhythm are core elements of everyday life in Colombia.[35] As a result, Encanto was the first Disney Animation film to have choreographers involved in the development process from start to finish, meaning they worked closely with the production team to develop songs, characters, and story.[29][35]
This is in contrast to older films where the story was already in place by the time a choreographer was hired to consult on specific scenes.[35] For Encanto, Disney Animation initially hired African-American choreographer Jamal Sims, who insisted on immediately hiring Colombian-American dancer Kai Martinez as the film's animation reference consultant.[29][35] They worked together with a team of dancers to prepare choreography reference footage for each scene, and then gave feedback to the animators on scenes as they were animated.[29][35] They developed different dance styles for different characters; Luisa's style is reggaeton, while Mirabel's style is Cali salsa.[35]
For selection and animation of the plants and flowers that Isabela could make grow, the production team consulted with Colombian botanist Felipe Zapata. His advice allowed appropriate plants to be selected and then shown in accurate detail. The river of jacarandas and strangler figs and the cascade of sundew that Isabela produces are all based on this input. Plants in the background scenery are also realistic. These included the iconic, but now vulnerable wax palm and dramatic Cecropia trees. Economically important plants, like coffee, also appear.[36]
Over 800 people, 108 of them animators, were involved in the production of Encanto.[37] Disney Animation was planning to send many of its animators to Colombia starting on March 15, 2020, in preparation for the film's transition from development to production. This second research trip had to be cancelled after the onset of the COVID-19 pandemic. The studio's animators ended up having to work remotely with the Colombian Cultural Trust; for example, Espinosa Uribe gave the animators a virtual tour of Colombia with the help of her cell phone.[22] Diane Guerrero sent the studio's designers photographs of Colombian food taken by her relatives in Colombia.[17]
On June 22, 2020, Miranda confirmed on Good Morning America that he and Bush were working on an animated Disney film set in Colombia, with Bush and Byron Howard directing, and Charise Castro Smith co-directing.[38]
On June 18, 2020, the tentative title was revealed to be Encanto. The project was also confirmed to be the film Miranda was involved in, and it was reported to be about a girl in a magical family. On December 10, 2020, the project was officially confirmed at a Disney Investor Day meeting, where a clip was shown, a fall 2021 release was announced, and magical realism was referenced.[39] According to Bush, development of the film's script wrapped in August 2021, and production on the film wrapped a month later.[17] Due to the COVID-19 pandemic, many crew members worked together remotely for over a year and did not meet each other in person until Disney put on a socially-distanced outdoor screening of the final version of the film.[37]
Music[]
Release[]
The film premiered on May 2, 2021 at El Capitan Theatre.
Marketing[]
Home media[]
Encanto was released on Blu-ray Tape, DVD and Blu-ray on January 11, 2022.
Reception[]
Adaptions[]
Sequel[]
In 2027, Encanto II was released on Blu-ray Tape, DVD and Blu-ray.
Video game[]
References[]
- ↑ 1.0 1.1 1.2 1.3 "Jared Bush on Twitter". Twitter. Archived from the original on December 28, 2021. Retrieved 2021-12-28.
- ↑ 2.0 2.1 2.2 Smith, Charise Castro; Bush, Jared (January 15, 2022). "Encanto" (Script). Deadline Hollywood. Archived (PDF) from the original on January 15, 2022. Retrieved January 21, 2022.
- ↑ 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 Cite error: Invalid
<ref>tag; no text was provided for refs namedDescriptions - ↑ Gibbs, Patrick (November 15, 2021). "Film Review: Encanto". Slug Mag. Archived from the original on November 24, 2021. Retrieved November 24, 2021.
- ↑ 5.0 5.1 5.2 5.3 5.4 Holguín, Claudia Arango (November 4, 2021). "Estas son las voces colombianas de Encanto". www.elcolombiano.com (in Spanish). Archived from the original on 2021-11-16. Retrieved 2021-11-16.
- ↑ 6.0 6.1 6.2 6.3 "Estos serán los actores colombianos que harán las voces en 'Encanto', de Disney". canalrcn (in Spanish). September 29, 2021. Archived from the original on November 16, 2021. Retrieved 2021-11-16.
- ↑ Chappel, Caitlin (November 21, 2021). "Encanto Star John Leguizamo Delves Into Bruno's Role as the Family Outcast". Comic Book Resources. Archived from the original on November 25, 2021. Retrieved January 9, 2022.
- ↑ 8.0 8.1 8.2 Bush, Jared [@thejaredbush] (December 8, 2021). "1/3 – Okay, #Encanto friends, now for the kids: Isabela (21) first grandchild, hence golden child pressure, Dolores (21) couple months younger, in Isa's shadow hence quieter and Mariano issues, Luisa (19) next, strong middle child and feels need to please… cont'd…" (Tweet) – via Twitter.
- ↑ Barbieri, Silvia (October 23, 2021). "Encanto: annunciati i doppiatori del nuovo film di animazione Disney – Fuori Series" (in Italian). Archived from the original on 2021-11-16. Retrieved 2021-11-16.
- ↑ Boccella, Maggie (October 21, 2021). "Disney's 'Encanto' Adds Colombian Superstar Maluma to Voice Cast". Collider. Archived from the original on October 21, 2021. Retrieved October 21, 2021.
- ↑ @thejaredbush. "So excited to announce the return of one of my favorite people, @DisneyAnimation's good luck charm himself, @AlanTudyk!! I've written him as a weasel and a chicken… but now behold… our enthusiastic… but clueless toucan, Pico! #encanto ButterflySparkles#TudykToucanTuesday" (Tweet) – via Twitter. Missing or empty |date= (help)
- ↑ Buchanan, Kyle (November 15, 2016). "Lin-Manuel Miranda Reveals He's Making a Secret Disney Film". Vulture. Archived from the original on November 17, 2016. Retrieved November 16, 2016.
- ↑ 13.0 13.1 13.2 13.3 13.4 13.5 Brown, Tracy (November 29, 2021). "'Encanto' is Disney's first Latino musical. How the filmmakers got Colombia right". Los Angeles Times. Archived from the original on December 27, 2021. Retrieved December 27, 2021.
- ↑ Ordona, Michael (December 1, 2021). "'Encanto': A melange of music, magic and a dash of Miranda". Los Angeles Times. Archived from the original on January 3, 2022. Retrieved January 3, 2022.
- ↑ 15.00 15.01 15.02 15.03 15.04 15.05 15.06 15.07 15.08 15.09 15.10 15.11 Steele, Bruce C. (Winter 2021). "The House of Mirth: Encanto—Walt Disney Animation Studios' 60th film—conjures a remarkable family living in a magical house in the mountains of Colombia". Disney Twenty-three. Burbank: The Walt Disney Company. 13 (4): 4–11. ISSN 2162-5492. OCLC 698366817.
- ↑ 16.0 16.1 16.2 16.3 Cavna, Michael (November 23, 2021). "How Lin-Manuel Miranda became a go-to songwriter for Disney". The Washington Post. Archived from the original on November 25, 2021. Retrieved January 3, 2022.
- ↑ 17.0 17.1 17.2 17.3 Valdivia, Pablo (February 11, 2022). "Abuelo Pedro's Death In "Encanto" Was Originally Supposed To Be Much Darker, And 72 Other "Encanto" Behind-The-Scenes Details". BuzzFeed. Archived from the original on February 11, 2022. Retrieved February 11, 2022.
- ↑ 18.00 18.01 18.02 18.03 18.04 18.05 18.06 18.07 18.08 18.09 18.10 18.11 18.12 18.13 18.14 18.15 18.16 18.17 18.18 18.19 18.20 18.21 Jones, Juan Pablo Reyes Lancaster (November 23, 2021). The Art of Encanto. San Francisco: Chronicle Books. ISBN 978-1-79720-086-6.
- ↑ Gray, Tim (February 28, 2022). "'Encanto' Writers on Bruno's Viral Popularity and the Madrigal's Complex Family Dynamics: 'We Spoke to a Lot of Therapists'". Variety. Archived from the original on March 11, 2022. Retrieved March 13, 2022.
- ↑ 20.0 20.1 Howard, Byron; Bush, Jared; Castro Smith, Charise (September 29, 2021). "Byron Howard, Jared Bush, & Charise Castro Smith Interview: Encanto". Screen Rant (Interview). Interviewed by Tatiana Hullender. Archived from the original on January 27, 2022. Retrieved March 17, 2022.
- ↑ 21.0 21.1 21.2 21.3 Carey, Meredith (November 24, 2021). "On Location: The Colombian Towns, Architecture, and Music that Inspired Disney's Encanto". Condé Nast Traveler. Archived from the original on December 27, 2021. Retrieved December 27, 2021.
- ↑ 22.0 22.1 22.2 22.3 22.4 22.5 Herrera Gómez, Gabriela (December 17, 2021). "Ella es 'la verdadera' Mirabel Madrigal de Encanto, la película de Disney". El Tiempo (in Spanish). Archived from the original on December 27, 2021. Retrieved December 27, 2021.
- ↑ Ratner-Arias, Sigal (October 15, 2021). "Charise Castro Smith brings Latin experience to 'Encanto'". Associated Press. Archived from the original on March 30, 2022. Retrieved March 17, 2022.
- ↑ Fleming, Ryan (January 11, 2022). "Encanto Directors on Colombian Influences and Magical Realism: 'Magic That Was Born Out Of Emotion'". Deadline Hollywood. Archived from the original on March 13, 2022. Retrieved March 13, 2022.
- ↑ Chagollan, Steve (December 1, 2021). "Raising Our Voices: How Three Latinas Helped Make Authentic Magic in 'Encanto'". The Hollywood Reporter. Archived from the original on February 9, 2022. Retrieved February 18, 2022.
- ↑ Sternberg, Sabrina (October 27, 2021). "Alan Tudyk Voicing Pico the Toucan in Encanto". Collider. Archived from the original on November 18, 2021. Retrieved March 21, 2022.
- ↑ Abbott, Harrison (January 17, 2022). "9 Disney Encanto Easter eggs you (probably) missed". Newsweek. Archived from the original on January 24, 2022. Retrieved March 21, 2022.
- ↑ Bush, Jared; Castro Smith, Charise; Merino, Yvett (March 10, 2022). "Disney's Encanto Creators Break Down the Gift Ceremony Scene" (Video). Vanity Fair. Archived from the original on March 21, 2022. Retrieved March 21, 2022 – via YouTube.
- ↑ 29.0 29.1 29.2 29.3 29.4 29.5 Davis, Victoria (November 23, 2021). "How Choreography and Color Helped Shape the Vibrant Characters of 'Encanto'". Animation World Network. Archived from the original on November 25, 2021. Retrieved December 31, 2021.
- ↑ Zahed, Ramin (October 28, 2021). "All in the Familia Colombiana: Crafting Disney's Encanto". Animation Magazine. Archived from the original on November 30, 2021. Retrieved April 20, 2022.
- ↑ 31.0 31.1 31.2 Bové, Neysa; Bové, Lorelay (March 2, 2022). "How a Pair of Real-Life Sisters Brought Encanto to Life Through Clothing". Elle (Interview). Interviewed by Sarah Nechamkin. Archived from the original on March 22, 2022. Retrieved April 20, 2022.
- ↑ Cite error: Invalid
<ref>tag; no text was provided for refs namedHofferman - ↑ Cooper, Gael Fashingbauer (January 14, 2022). "13 fun facts about Encanto, from Mirabel's gift to hidden Easter eggs". CNET. Archived from the original on April 16, 2022. Retrieved April 16, 2022.
- ↑ Mason, Courtney (January 2, 2022). "Encanto Subtly Revealed Its Mirabel Power Twist At The Beginning". Screen Rant. Archived from the original on January 2, 2022. Retrieved April 16, 2022.
- ↑ 35.0 35.1 35.2 35.3 35.4 35.5 Fay, Kim (Winter 2021). "Step Into Choreomation". Keyframe. Archived from the original on December 8, 2021. Retrieved December 31, 2021.
- ↑ Moody, Cassidy (January 28, 2022). "The plants of Encanto". Missouri Botanical Garden. Archived from the original on January 31, 2022. Retrieved January 31, 2022.
- ↑ 37.0 37.1 Renken, Leslie (February 15, 2022). "This Bartonville native is living his dream career with Disney's new 'Encanto' movie". Journal Star. Archived from the original on February 16, 2022. Retrieved February 16, 2022.
- ↑ Evans, Greg (June 22, 2020). "Lin-Manuel Miranda Confirms New Disney Animated Movie Set In Colombia". Deadline. Archived from the original on June 22, 2020. Retrieved June 28, 2020.
- ↑ "The Walt Disney Company Investor Day 2020" (PDF). The Walt Disney Company. December 10, 2020. p. 63. Archived (PDF) from the original on August 7, 2021. Retrieved June 20, 2021.
External links[]
Template:Encanto
| ||||||||||||||||||||||||||||||||||
Template:Byron Howard Template:Lin-Manuel Miranda