Blackbird (Beatles song)

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This article is about the Beatles song. For other songs with similar titles, see Blackbird (disambiguation).

"Blackbird"
File:Beatles-blackbird.jpg Sheet music
Song by The Beatles
from the album The Beatles
Published	Northern Songs
Released	22 November 1968
Recorded	11 June 1968, EMI Studios, London
Genre	Folk
Length	2:19
Label	Apple
Songwriter(s)	Lennon–McCartney
Producer(s)	George Martin

"Blackbird" is a song by the Beatles, but performed as a solo effort by Paul McCartney, from their 1968 double album The Beatles (also known as "the White Album"). The song was written by McCartney, though credited to Lennon–McCartney. McCartney has stated that the lyrics of the song were inspired by the unfortunate state of race relations in the United States in the 1960s.

Origins

McCartney explained on Chaos and Creation at Abbey Road, aired in 2005, that the guitar accompaniment for "Blackbird" was inspired by Johann Sebastian Bach's Bourrée in E minor, a well-known lute piece, often played on the classical guitar. As teenagers, he and George Harrison tried to learn Bourrée as a "show off" piece. The Bourrée is distinguished by melody and bass notes played simultaneously on the upper and lower strings. McCartney adapted a segment of the Bourrée (reharmonised into the original's relative major key of G) as the opening of "Blackbird", and carried the musical idea throughout the song.

The first night his future wife Linda Eastman stayed at his home, McCartney played "Blackbird" for the fans camped outside his house. The fingerpicking technique that McCartney uses in the song was taught to him by folk singer Donovan.

Meaning

Since composing "Blackbird" in 1968, McCartney has given differing, contradictory statements regarding both his inspiration for the song and its meaning. In one of these scenarios, he has said he was inspired by hearing the call of a blackbird one morning when the Beatles were studying Transcendental Meditation in Rishikesh, India. In another, he recalls writing it in Scotland as a response to racial tensions escalating in the United States during the spring of 1968.

In May 2002, following a show in Dallas, Texas, McCartney discussed the song with KCRW DJ Chris Douridas, saying:

I had been doing some [poetry readings] in the last year or so because I've got a poetry book out called Blackbird Singing, and when I would read "Blackbird", I would always try and think of some explanation to tell the people … So, I was doing explanations, and I actually just remembered why I'd written "Blackbird", you know, that I'd been, I was in Scotland playing on my guitar, and I remembered this whole idea of "you were only waiting for this moment to arise" was about, you know, the black people's struggle in the southern states, and I was using the symbolism of a blackbird. It's not really about a blackbird whose wings are broken, you know, it's a bit more symbolic.

Before his acoustic guitar set during the same US tour, McCartney explained that "bird" is British slang for girl, making "blackbird" a synonym for "black girl".

The lyrics have invited similarly varied interpretations – as a nature song, a message in support of the Black Power movement, or a love song. Writing in the 1990s, Ian MacDonald dismissed the idea that "Blackbird" was intended as "a metaphor for the black civil rights struggle". Noting instead the composition's romantic qualities, MacDonald said that the early-morning birdsong "translates … into a succinct metaphor for awakening on a deeper level". In his discussion of "Blackbird", author Andrew Hickey writes that McCartney only began citing the civil-rights issue as his inspiration after some commentators had raised the possibility; Hickey considers this to be an example of revisionism on McCartney's part in an effort to assign greater profundity to his lyrics. However, during an informal rehearsal at EMI Studios on 22 November 1968, before he and Donovan took part in a Mary Hopkin recording session, McCartney played "Blackbird" and said that he had written the "broken wings" verse after reading newspaper reports about "the rights thing".

Composition and recording

The song was recorded on 11 June 1968 at EMI's Abbey Road Studios in London, with George Martin as the producer and Geoff Emerick as the audio engineer. It is a solo performance with McCartney playing a Martin D 28 acoustic guitar. The track includes recordings of a male blackbird singing in the background.

The accompaniment consists of guitar, tapping, and birdsong overdub. The tapping "has been incorrectly identified as a metronome in the past", according to engineer Geoff Emerick, who says it is actually the sound of Paul tapping his foot, which Emerick recalls as being mic'd up separately. Footage included in the bonus content on disc two of the 2009 remaster of the album shows McCartney tapping both his feet alternately while performing the song.

The mono version contains bird sounds different from the stereo recording, and was originally issued on a mono incarnation of The Beatles (it has since been issued worldwide as part of The Beatles in Mono CD box set). The song appears on Love with "Yesterday", billed as "Blackbird/Yesterday". "Blackbird" provides an introduction to "Yesterday".

Live performances

In 1973, McCartney included the song, along with the Beatles track "Michelle", as part of his acoustic medley in the television special James Paul McCartney. Starting with his 1975–76 world tour with the band Wings, McCartney has performed "Blackbird" on every one of his concert tours. A solo performance of the song, followed by "Yesterday", appears on Wings' 1976 live album Wings Over America.

McCartney also included "Blackbird" in his set at the Party at the Palace concert in June 2002. In 2009, McCartney performed the song at the Coachella Valley Music and Arts Festival, commenting prior to singing it on how it had been written in response to the Civil Rights Movement, and added, "It's so great to realise so many civil rights issues have been overcome."

Personnel

• Paul McCartney – double-tracked lead vocal, acoustic guitar, tape loops, foot tapping

Cover versions

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"Blackbird"
File:Blackbird (Dandy Warhols cover) single cover.jpeg
Song by The Dandy Warhols
Released	July 31, 2009 (2009-07-31)
Length	3:36
Label	Beat the World
Songwriter(s)	Lennon–McCartney

"Blackbird" is, by one count, one of the top ten most recorded songs of all time. The following artists have recorded "Blackbird" in a variety of styles:

• Pop rock/R&B singer Dionne Farris included an acoustic interpretation of the song on her debut album Wild Seed – Wild Flower.
• Actor/Pop rock singer Drake Bell has performed Blackbird live on multiple occasions.
• "Blackbird" appears on the Crosby, Stills & Nash 1991 box set, having been recorded during the sessions for the album Crosby, Stills & Nash. They performed it often in concert, also at their performance at Woodstock festival 1969 and a live version appeared in 2014 on the CSNY 1974 album.
• The Dandy Warhols released a recording of the song in July 2009 following the death of Michael Jackson, in an unintended ode to a line from the first and title track of their 2003 album Welcome to the Monkey House ("When Michael Jackson dies, we're coverin' 'Blackbird'"). The line was thought to partially reference Jackson's ownership of the Beatles' back catalogue of songs when he bought Associated Television (ATV), which had previously acquired Northern Songs, in the mid-1980s.
• Sarah Darling recorded the song in November 2011 for the album Let Us In: Nashville – A Tribute to Linda McCartney, and it was released as a single. Darling's version was later featured in the 200th episode of Criminal Minds.
• Neil Diamond interpreted the song for his 2010 album Dreams.
• Ara Dinkjian recorded the song with Night Ark.
• Justin Hayward recorded the song for his 1994 Classic Blue album.
• In 2001, Canadian musician Sarah McLachlan recorded a cover version of "Blackbird" for the I Am Sam movie soundtrack. It also appears on her 2008 compilation album Rarities, B-Sides and Other Stuff Volume 2.
• Bobby McFerrin released an a cappella version on his 1984 album The Voice.
• Jazz pianist Brad Mehldau recorded what has been described as a "haunting version of the Beatles' classic" for his 1997 album The Art of the Trio Volume One.
• Swedish classical mezzo-soprano Anne Sofie von Otter recorded the song in her "Love Songs" album, with Brad Mehldau in 2010.
• The Paragons featuring Rosalyn Sweat recorded a ska/rocksteady version in 1973.
• Jaco Pastorius recorded the song in 1981.
• The song is performed by Phish on the band's 1994 Halloween offering, Live Phish Volume 13, which includes a rendition of the entire White Album.
• The song is sung by various members of the Templeton family in the animated movie The Boss Baby.
• In 1972, Billy Preston released a version of the song on his Music Is My Life album.
• Carly Simon recorded a version for her 2007 album Into White.
• Sylvester included the song on his live Living Proof album in 1979.
• Evan Rachel Wood vocalized the song in the 2007 film Across the Universe.
• Dave Grohl performed the song during the In Memoriam tribute at the 88th Academy Awards.
• Sara Gazarek recorded it as part of a jazz medley with Bye Bye Blackbird on her 2005 album Yours and her 2016 album Dream in the Blue
• Jon Batiste performed a version of the song during a taping for The Late Show with Stephen Colbert, in honor of The Beatles' 52nd anniversary of their American television debut at The Ed Sullivan Theatre.

Sources

• Badman, Keith (2001). The Beatles Diary Volume 2: After the Break-Up 1970–2001. London: Omnibus Press. ISBN 978-0-7119-8307-6.CS1 maint: ref=harv (link)

• Everett, Walter (1999). The Beatles as Musicians: Revolver through the Anthology. New York, London: Oxford University Press. ISBN 978-0-19-512941-0.CS1 maint: ref=harv (link)

• Hickey, Andrew (2010). The Beatles in Mono. Raleigh, NC: Lulu Press. ISBN 978-1-4461-8489-9.CS1 maint: ref=harv (link)

• Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN 0-517-57066-1.CS1 maint: ref=harv (link)

• MacDonald, Ian (1998). Revolution in the Head: The Beatles' Records and the Sixties. London: Pimlico. ISBN 978-0-7126-6697-8.CS1 maint: ref=harv (link)

• Madinger, Chip; Easter, Mark (2000). Eight Arms to Hold You: The Solo Beatles Compendium. Chesterfield, MO: 44.1 Productions. ISBN 0-615-11724-4.CS1 maint: ref=harv (link)

• Miles, Barry (2001). The Beatles Diary Volume 1: The Beatles Years. London: Omnibus Press. ISBN 0-7119-8308-9.CS1 maint: ref=harv (link)

• Sounes, Howard (2010). Fab: An Intimate Life of Paul McCartney. London: HarperCollins. ISBN 978-0-00-723705-0.CS1 maint: ref=harv (link)

• Turner, Steve (1999). A Hard Day's Write: The Stories Behind Every Beatles Song (2nd ed.). New York, NY: Carlton/HarperCollins. ISBN 0-06-273698-1.CS1 maint: ref=harv (link)

• Womack, Kenneth (2014). The Beatles Encyclopedia: Everything Fab Four. Santa Barbara, CA: ABC-CLIO. ISBN 978-0-313-39171-2.CS1 maint: ref=harv (link)

External links

• Cover versions and notes
• Template:MetroLyrics song

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