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The award for Best New Artist was originally awarded to Milli Vanilli. In November 1990, the National Academy of Recording Arts and Sciences revoked Milli Vanilli's Grammy,[3][4][5] after Milli Vanilli performers Robert Pilatus and Fabrice Morvan and their producer, Frank Farian, admitted the duo "did not sing a note" on their album, Girl You Know It's True.[6]
General[]
Record of the Year
Arif Mardin (producer) & Bette Midler for "Wind Beneath My Wings"
Album of the Year
Don Was (producer) & Bonnie Raitt for Nick of Time
Song of the Year
Jeff Silbar & Larry Henley (songwriters) for "Wind Beneath My Wings" performed by Bette Midler
David Zinman (conductor), Dawn Upshaw & the Orchestra of St. Luke's for Knoxville - Summer of 1915 (Music of Barber, Menotti, Harbison, Stravinsky)
Best Opera Recording
Cord Garben (producer), James Levine (conductor), Hildegard Behrens, Gary Lakes, Christa Ludwig, Kurt Moll, James Morris, Jessye Norman & the Metropolitan Opera Orchestra for Wagner: Die Walküre
Best Choral Performance (other than opera)
Robert Shaw (conductor) & the Atlanta Symphony Orchestra & Chorus for Britten: War Requiem
Best Classical Performance, Instrumental Soloist (with orchestra)
David Zinman (conductor), Yo-Yo Ma & the Baltimore Symphony Orchestra for Barber: Cello Concerto, Op. 22/Britten: Symphony for Cello and Orchestra, Op. 68
Best Classical Performance - Instrumental Soloist (without orchestra)
Andras Schiff for Bach: English Suites
Best Chamber Music Performance
The Emerson String Quartet for Bartók: 6 String Quartets
Best Contemporary Composition
Steve Reich (composer) & the Kronos Quartet for Reich: Different Trains
Best Classical Album
Wolf Erichson (producer) & the Emerson String Quartet for Bartók: 6 String Quartets
Comedy[]
Best Comedy Recording
Peter Schickele for P.D.Q. Bach: 1712 Overture and Other Musical Assaults
Composing and arranging[]
Best Instrumental Composition
Danny Elfman (composer) for "The Batman Theme" performed by the Sinfonia of London Orchestra
Best Song Written Specifically for a Motion Picture or Television
Carly Simon (songwriter) for "Let the River Run"
Best Album of Original Instrumental Background Score Written for a Motion Picture or Television
Dave Grusin (composer) for The Fabulous Baker Boys
Best Arrangement on an Instrumental
Dave Grusin (arranger) for "Suite From The Milagro Beanfield War"
Best Instrumental Arrangement Accompanying Vocals
Dave Grusin (arranger) for "My Funny Valentine" performed by Michelle Pfeiffer
Country[]
Best Country Vocal Performance, Female
k.d. lang for Absolute Torch and Twang
Best Country Vocal Performance, Male
Lyle Lovett for Lyle Lovett and His Large Band
Best Country Performance by a Duo or Group with Vocal
Nitty Gritty Dirt Band for Will the Circle Be Unbroken: Volume Two
Best Country Vocal Collaboration
Hank Williams Jr. & Hank Williams Sr. for "There's a Tear in My Beer"
Best Country Instrumental Performance
Randy Scruggs for "Amazing Grace"
Best Country Song
Rodney Crowell (songwriter) for "After All This Time"
Best Bluegrass Recording
Bruce Hornsby & Nitty Gritty Dirt Band for "The Valley Road"
Folk[]
Best Traditional Folk Recording
Marcel Cellier (producer) for Le Mystere des Voix Bulgares, Vol. II performed by the Bulgarian State Television Female Vocal Choir
Best Contemporary Folk Recording
Indigo Girls for Indigo Girls
Gospel[]
Best Gospel Vocal Performance, Female
CeCe Winans for "Don't Cry"
Best Gospel Vocal Performance, Male
BeBe Winans for "Meantime"
Best Gospel Vocal Performance by a Duo or Group, Choir or Chorus
Take 6 for "The Savior Is Waiting"
Grammy Award for Best Soul Gospel Performance, Male or Female
Jay David Saks (producer) & the original cast with Jason Alexander & Debbie Shapiro & Robert La Fasse for Jerome Robbins' Broadway
Music video[]
Best Music Video, Short Form
Jim Blashfield, Paul Diener, Frank DiLeo, Jerry Kramer, (video producers), Jim Blashfield (video director) & Michael Jackson for "Leave Me Alone"
Best Music Video, Long Form
Aris McGarry (video producer), Jonathan Dayton and Valerie Faris (video producers & directors), Dominic Sena (video director), & Janet Jackson for Rhythm Nation 1814
New Age[]
Best New Age Performance
Peter Gabriel for Passion - Music For the Last Temptation of Christ
Packaging and notes[]
Best Album Package
Roger Gorman (art director) for Sound + Vision performed by David Bowie
Best Album Notes
Phil Schaap (notes writer) for Bird - The Complete Charlie Parker on Verve
Polka[]
Best Polka Recording
Jimmy Sturr for All in My Love for You
Pop[]
Best Pop Vocal Performance, Female
Bonnie Raitt for "Nick of Time"
Best Vocal Performance, Male
Michael Bolton for "How Am I Supposed to Live Without You"
Best Pop Performance by a Duo or Group with Vocal
Aaron Neville & Linda Ronstadt for "Don't Know Much"
Best Pop Instrumental Performance
The Neville Brothers for "Healing Chant"
Production and engineering[]
Best Engineered Recording, Non-Classical
George Massenburg (engineer) for Cry Like a Rainstorm - Howl Like the Wind performed by Linda Ronstadt
Best Engineered Recording, Classical
Jack Renner (engineer), Robert Shaw (conductor), the Atlanta Symphony Orchestra & the Atlanta Boy Choir for Britten: War Requiem
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