Stardust Memories



Stardust Memories is a 1980 American comedy-drama film written and directed by Woody Allen and starring himself, Charlotte Rampling, Jessica Harper, Marie-Christine Barrault and Sharon Stone in her film debut. The film is about a filmmaker who recalls his life and his loves - the inspirations for his films - while attending a retrospective of his work. Allen considers this to be one of his best films, along with The Purple Rose of Cairo and Match Point. The film is shot in black and white and is reminiscent of Federico Fellini's 8½ (1963), which it parodies.

The film was nominated for a Writers Guild of America award for Best Comedy written directly for screen. Allen denies that this film is autobiographical and has expressed regret that audiences interpreted it as such. "[Critics] thought that the lead character was me," the director is quoted as saying in Woody Allen on Woody Allen. "Not a fictional character but me, and that I was expressing hostility towards my audience. That was in no way the point of the film. It was about a character who is obviously having a sort of nervous breakdown and, in spite of success, has come to a point in his life where he is having a bad time."

Plot
The film follows famous filmmaker Sandy Bates, who is plagued by fans who prefer his "earlier, funnier movies" to his more recent artistic efforts, while he tries to reconcile his conflicting attraction to two very different women: the earnest intellectual Daisy and the more maternal Isobel. Meanwhile, he is also haunted by memories of his ex-girlfriend, the unstable Dorrie.

Cast

 * Woody Allen as Sandy Bates
 * Charlotte Rampling as Dorrie ("She was just right for that part," the director is quoted as saying in Woody Allen on Woody Allen [see Further Reading, below]. "I mean, she is so beautiful and so sexy and so interesting. She has an interesting neurotic quality.")
 * Jessica Harper as Daisy
 * Marie-Christine Barrault as Isobel
 * Tony Roberts as Tony
 * Daniel Stern as Actor
 * Amy Wright as Shelley
 * Helen Hanft as Vivian Orkin
 * John Rothman as Jack Abel
 * Anne De Salvo as Sandy's Sister
 * Leonardo Cimino as Sandy's Analyst
 * Sharon Stone as Pretty Girl on Train (Of the train window through which she blows a kiss during the opening sequence at the beginning of the film, Stone remarked, "I gave it my best shot to melt that sucker." [quoted in Julian Fox's Woody: Movies from Manhattan, Overlook, 1996])
 * Allen's long-time manager and producer Jack Rollins as a Studio Executive (Rollins and his partner Charles H. Joffe produced all of Allen's films from 1969 to 1993, including Stardust Memories.)
 * Judith Roberts as Singer-"Three Little Words"
 * Candy Loving, Playboy magazine's 25th Anniversary Playmate, as Tony's Girlfriend
 * Brent Spiner as a Fan in Lobby
 * film critic Judith Crist as a Cabaret Patron
 * Irwin Keyes as a Fan Outside Hotel
 * Bonnie Hellman as a Fan Outside Hotel
 * Cynthia Gibb as a Young Girl Fan (credited as "Cindy Gibb")
 * Annie Korzen as Woman in Ice Cream Parlor (credited as "Anne Korzen")
 * James Otis as a UFO Follower
 * Alice Spivak as Nurse at Hospital
 * Armin Shimerman as a member of the Eulogy Audience
 * Laraine Newman as Film Executive (uncredited)
 * Louise Lasser as Sandy's Secretary (uncredited)
 * The Jazz Heaven Orchestra, which includes Joe Wilder, Hank Jones, Richie Pratt, Arvell Shaw, Earl Shendell.
 * William Zinsser in small role as a Catholic priest (Zinsser interviewed Woody Allen in 1963 for the Saturday Evening Post. After a chance encounter in 1980, Allen cast Zinsser, a Protestant, as a Catholic priest in Stardust Memories).<13>

Themes
The conflict between the maternal, nurturing woman and the earnest, usually younger one, is a recurring theme in Allen's films. Like many of Allen's films, Stardust Memories incorporates several jazz recordings including those by such notables as Louis Armstrong, Django Reinhardt, and Chick Webb. The film's title alludes to the famous take of "Stardust" recorded in 1931 by Armstrong, wherein the trumpeter sings "oh, memory" three times in succession. However, it is the master take that plays in the movie during the sequence where Sandy is remembering the best moment of his life: looking at Dorrie while listening to Armstrong's recording of the song.

The film deals with issues regarding religion, God, and philosophy; especially existentialism, psychology, symbolism, wars and politics. It is also about realism, relationships, and death. It refers to many questions about the meaning of life. It also ruminates on the role that luck plays in life, a theme Allen would revisit in Match Point.

Production
Filming locations include:
 * Asbury Park, New Jersey, USA
 * Belmar, New Jersey, USA
 * Deal, New Jersey, USA
 * Hoboken, New Jersey, USA
 * Neptune City, New Jersey, USA
 * Ocean Grove, New Jersey, USA

From the sleevenotes of MGM's 2000 DVD release: "Shot on location in the fall of 1979, Stardust Memories may look as though it takes place in a Victorian-style seaside hotel, but it was actually shot at the Ocean Grove Great Auditorium and the Methodist Episcopal Conference Center and Concert Hall in New Jersey. Most of the interiors, including the bedroom scenes, were shot in a vacant Sears Roebuck building, but the crew also recreated a vintage train at Filmways Studio in Harlem. To reproduce the movement of a rail car, the whole train was mounted on jacks and gently jostled back and forth."

Reception
The film sharply divided both audiences and critics, with many Allen fans proclaiming it his best picture or among his worst. In October 2013, the film was voted by the Guardian readers as the eighth best film directed by Woody Allen.

In Diane Jacobs' But We Need the Eggs: The Magic of Woody Allen (St Martin's Press, 1982), the director is quoted as saying: "Shortly after Stardust Memories opened, John Lennon was shot by the very guy who had asked him for his autograph earlier in the day… This is what happens with celebrities: one day people love you; the next day they want to kill you."

Box office
Stardust Memories opened in North America on September 26, 1980 to an onslaught of bad reviews. At 29 theatres, it grossed $326,779 ($11,268 per screen) in its opening weekend. The film failed to attract more than Allen's loyal fanbase in the long run, and it grossed $10,389,003 by the end of its run. The film's budget was $10 million.

Soundtrack

 * "Hebrew School Rag" (Dick Hyman) by Dick Hyman
 * "Just One of Those Things" (Cole Porter) by Dick Hyman
 * "You'd Be So Easy to Love" (Cole Porter) by Dick Hyman
 * "Tropical Mood Meringue" (Sidney Bechet) by Sidney Bechet
 * "I'll See You in My Dreams" (Isham Jones and Gus Kahn) by Django Reinhardt
 * "Tickletoe" (Lester Young) by Lester Young with Count Basie and His Orchestra
 * "Three Little Words" (Harry Ruby, Bert Kalmar) by The Jazz Heaven Orchestra
 * "Brazil" (Ary Barroso, S.K. Russell) by Marie Lane
 * "Palesteena" (J. Russel Robinson and Con Conrad) by The Original Dixieland Jazz Band
 * "Body and Soul" (Edward Heyman, Robert Sour, Johnny Green, and Frank Eyton) by Django Reinhardt
 * "Night on Bald Mountain" (Modest Mussorgsky) by Vienna State Opera Orchestra
 * "If Dreams Come True" (Irving Mills, Edgar M. Sampson, and Benny Goodman) by Chick Webb
 * "Just One of Those Things" (Cole Porter) by Dick Hyman
 * "You'd Be So Easy to Love" (Cole Porter) by Dick Hyman
 * "One O'Clock Jump" (Count Basie) by The Jazz Heaven Orchestra
 * "Sugar" (Maceo Pinkard and Sidney D. Mitchell)
 * "Sweet Georgia Brown" (Ben Bernie, Kenneth Casey and Maceo Pinkard)
 * "Moonlight Serenade" (Glenn Miller) by Glenn Miller
 * "Stardust" (Hoagy Carmichael, Mitchell Parish) by Louis Armstrong