I Vow to Thee, My Country



"I Vow to Thee, My Country" is a British hymn (patriotic song), created in 1921, when a poem by Sir Cecil Spring Rice was set to music by Gustav Holst.

History
The origin of the hymn's text is a poem by diplomat Sir Cecil Spring Rice, which he wrote in 1908 or 1912, entitled Urbs Dei ("The City of God") or The Two Fatherlands. The poem described how a Christian owes his loyalties to both his homeland and the heavenly kingdom.

In 1908, Spring Rice was posted to the British Embassy in Stockholm. In 1912, he was appointed as Ambassador to the United States of America, where he influenced the administration of Woodrow Wilson to abandon neutrality and join Britain in the war against Germany. After the United States entered the war, he was recalled to Britain. Shortly before his departure from the US in January 1918, he re-wrote and renamed Urbs Dei, significantly altering the first verse to concentrate on the themes of love and sacrifice rather than "the noise of battle" and "the thunder of her guns", creating a more sombre tone in view of the dreadful loss of life suffered in the Great War. The first verse in both versions invoke Britain (in the 1912 version anthropomorphised as Britannia with sword and shield, in the second version simply called "my country"), the second verse the Kingdom of Heaven.

According to Sir Cecil's granddaughter, the rewritten verse of 1918 was never intended to appear alongside the first verse of the original poem, but was replacing it; the original first verse is nevertheless sometimes known as the "rarely sung middle verse". The text of the original poem was sent by Spring Rice to William Jennings Bryan in a letter shortly before his death in February 1918.

The poem circulated privately for a few years, until it was set to music by Holst, to a tune he adapted from his Jupiter to fit the words of the poem. It was performed as a unison song with orchestra in the early 1920s, and it was finally published as a hymn in 1925/6 in the Songs of Praise hymnal (no. 188).

It was included in later hymnals, including:

Tune
In 1921, Gustav Holst adapted the music from a section of Jupiter from his suite The Planets to create a setting for the poem. The music was extended slightly to fit the final two lines of the first verse. At the request of the publisher Curwen, Holst made a version as a unison song with orchestra (Curwen also published Sir Hubert Parry's unison song with orchestra, "Jerusalem"). This was probably first performed in 1921 and became a common element at Armistice memorial ceremonies, especially after it was published as a hymn in 1926. Holst in 1926 harmonised the tune to make it usable as a hymn, which was included in the hymnal Songs of Praise. In that version the lyrics were unchanged, but the tune was then called "Thaxted" (named after the village where Holst lived for many years). The editor of the new (1926) edition of Songs of Praise was Holst's close friend Ralph Vaughan Williams, which may have provided the stimulus for Holst's co-operation in producing the hymn.

Holst's daughter Imogen recorded that at "the time when he was asked to set these words to music, Holst was so over-worked and over-weary that he felt relieved to discover they 'fitted' the tune from Jupiter".

Lyrics
The hymn as printed in Songs of Praise (1925) consisted only of the two verses of the 1918 version, credited "Words: Cecil Spring-Rice, 1918; Music: Thaxted", as follows:  I vow to thee, my country, all earthly things above, Entire and whole and perfect, the service of my love; The love that asks no question, the love that stands the test, That lays upon the altar the dearest and the best; The love that never falters, the love that pays the price, The love that makes undaunted the final sacrifice.

And there's another country, I've heard of long ago, Most dear to them that love her, most great to them that know; We may not count her armies, we may not see her King; Her fortress is a faithful heart, her pride is suffering; And soul by soul and silently her shining bounds increase, And her ways are ways of gentleness, and all her paths are peace.

The final line of the second verse is based on Proverbs, "Her ways are ways of pleasantness, and all her paths are peace" (KJV), in the context of which the feminine pronoun refers to Wisdom.

The original first verse of Spring-Rice's poem Urbs Dei/The Two Father Lands (1908–1912), never set to music, was as follows:  I heard my country calling, away across the sea, Across the waste of waters, she calls and calls to me. Her sword is girded at her side, her helmet on her head, And around her feet are lying the dying and the dead; I hear the noise of battle, the thunder of her guns; I haste to thee, my mother, a son among thy sons.

Contemporary use
First performed in 1921, it is still associated with Remembrance Day services all over the Commonwealth of Nations.


 * It was sung at the funeral of Sir Winston Churchill on 30 January 1965.
 * Diana, Princess of Wales, requested that the hymn be sung at her wedding to Prince Charles in 1981, saying that it had "always been a favourite since schooldays". It was also sung at her funeral in 1997 and her tenth year memorial service in 2007. It is included on the BBC Recording of the Funeral Service.
 * It was quoted by Margaret Thatcher in 1988 in her Sermon on the Mound to the General Assembly of the Church of Scotland.
 * It was sung at the funeral of Baroness Thatcher on 17 April 2013.
 * In August 2004, Stephen Lowe, Bishop of Hulme criticised the hymn in a diocese newsletter, calling it "heretical".
 * It featured in the Opening Ceremony of the 2012 Summer Paralympics.
 * It was played at former Prime Minister of Australia Gough Whitlam's state funeral service in 2014.
 * Was sung at the Centenary Memorial of the Battle of Delville Wood in 2016 at St Andrews College, Grahamstown in South Africa.
 * It is the school hymn of St Paul's Girls' School, Wykeham House School and The Diocesan College, and the "house hymn" of Edith Nainby at Havergal College, Toronto, Ontario, Canada.

Commercial performances

 * Vice Squad – 1982 album Stand Strong Stand Proud – first two lines are used as an intro to song Propaganda.
 * Charlotte Church – debut album Voice of an Angel (1998).
 * Libera – 2003 album Free.
 * G4 – album G4 & Friends (2005).
 * England cricket team – backing vocals for Keedie Babb (as B-side to Jerusalem, 2005).
 * Katherine Jenkins – album Living a Dream (2005).
 * Alfie Boe – album You'll Never Walk Alone (2007).
 * Blake – album Together (2009).
 * Nick Moss, soundtrack to Upstairs Downstairs TV series, episode "The Love That Pays the Price" (season 2, episode 2, aired October 2012), the hymn is played in the background of the Kindertransport scene.
 * Beck Goldsmith, trailer for BBC drama series The Village 2013.
 * The song is sung in the finale to the 2014 production of Henry V by Australia's Bell Shakespeare company.
 * Marina Prior and Mark Vincent covered the song on their album Together (2016).
 * The song is played in the first episode of season 1 of the Netflix original series The Crown as Winston Churchill enters Westminster Abbey for the wedding of then-Princess Elizabeth in 1947. This is ahistorical: the song was not part of the service's musical program.
 * The song is played during the first assembly in Mona Lisa Smile.
 * Rick Wakeman included the song on his album Piano Portraits (2017).