Bobbie Gentry

Roberta Lee Streeter (born July 27, 1944), professionally known as Bobbie Gentry, is an American singer-songwriter notable as one of the first female country artists to compose and produce her own material.[1] Her songs typically drew on her Mississippi roots to compose vignettes of the Southern United States.

Gentry rose to international fame with her intriguing Southern Gothic narrative "Ode to Billie Joe" in 1967.[2] The track spent four weeks as the No. 1 pop song on the Billboard Hot 100 chart and was fourth in the Billboard year-end chart of 1967[3] and earned her Grammy awards for Best New Artist and Best Female Pop Vocal Performance in 1968. Gentry charted eleven singles on the Billboard Hot 100 and four singles on the United Kingdom Top 40.[4] Her album Fancy brought her a Grammy nomination for Best Female Pop Vocal Performance. After her first albums, she had a successful run of variety shows on the Las Vegas Strip. She lost interest in performing in the late 1970s, and since 2010 has lived in a private gated community in Shelby County, Tennessee.[5]

Contents 1 Early life 2 Professional career 2.1 Stage performances and television work (1968–1981) 3 Personal life 4 Artistry 5 Legacy 6 Discography 6.1 Albums 6.2 Singles 6.3 Singles with Glen Campbell 6.4 Charted B-sides 7 References 8 External links

Early life
Gentry was born near Woodville in Chickasaw County, Mississippi, an only child[6] to Robert and Ruby (Bullington) Streeter. Her parents divorced shortly after her birth, and her mother moved to California. She was raised on her grandparents' farm in Chickasaw County. Her grandmother traded one of the family's milk cows for a neighbor's piano, and seven-year-old Bobbie composed her first song, "My Dog Sergeant Is a Good Dog". She attended school in Greenwood, Mississippi, and began teaching herself to play the guitar, bass, banjo, and the vibraphone.

She moved to Arcadia, California, at age 13 to live with her mother. Gentry graduated from Palm Valley School in 1960. She chose her stage name from the 1952 film Ruby Gentry, about a heroine born into poverty but determined to make a success of her life. She began performing at local country clubs, and encouraged by Bob Hope, she performed in a revue at Les Folies Bergeres nightclub of Las Vegas.

Gentry then moved to Los Angeles to enter UCLA as a philosophy major. She supported herself with clerical jobs, occasionally performing at nightclubs. She also worked as a fashion model, and on June 29, 1962, United Press International circulated a wire photo of Gentry posing in a swimsuit alongside a second model and Cheryl Crane, daughter of Lana Turner.[7]

She later transferred to the Los Angeles Conservatory of Music to develop her composition and performing skills. In 1964, she made her recording debut in two duets – "Requiem for Love" and "Stranger in the Mirror" with rockabilly singer Jody Reynolds. She continued performing in nightclubs until Capitol Records executive Kelly Gordon heard a demo she had recorded in 1967.

Professional career
Cover of Bobbie Gentry's debut album (1967) In 1967 Gentry produced her first single, the country rock "Mississippi Delta". However, the flipside, "Ode to Billie Joe", with its sparse sound and controversial lyrics, started to receive airplay in the U.S.[8] Capitol's shortened version added to the song's mystery. Questions arose among the listeners: what did Billie Joe and his girlfriend throw off the Tallahatchie Bridge, and why did Billie Joe commit suicide? Gentry herself has commented on the song, saying that its real theme was indifference:[9]

Those questions are of secondary importance in my mind. The story of Billie Joe has two more interesting underlying themes. First, the illustration of a group of people's reactions to the life and death of Billie Joe, and its subsequent effect on their lives, is made. Second, the obvious gap between the girl and her mother is shown, when both women experience a common loss (first, Billie Joe and, later, Papa), and yet Mama and the girl are unable to recognize their mutual loss or share their grief.

The track topped the Billboard Hot 100 for four weeks in August 1967 and placed No. 4 in the year-end chart.[3] The single hit No. 8 on Billboard Black Singles and No. 13 in the UK Top 40[4] and sold over three million copies all over the world.[1] Rolling Stone magazine listed it among the 500 Greatest Songs of All Time in 2001. The album, Ode to Billie Joe replaced Sgt. Pepper's Lonely Hearts Club Band at the top of Billboard Albums Chart and reached No. 5 of the Billboard Black Albums chart. Gentry won three Grammy Awards in 1967, including Best New Artist and Best Female Pop Vocal Performance. She was also named the Academy of Country Music's Most Promising Female Vocalist.[10]

"Ode to Billie Joe"

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Sample from "Ode To Billie Joe".

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In February 1968 Gentry took part in the Italian Song Festival in Sanremo, as one of two performers (alongside Al Bano) of the song "La siepe" by Vito Pallavicini and Massara. In a competition of 24 songs, the entry qualified to the final 14 and eventually placed ninth.[11]

Gentry (along with many other celebrities) was one of the original owners of the Phoenix Suns basketball team.

Gentry's second album, The Delta Sweete, released in 1968, did not match the success of her first. It yielded a Billboard top-sixty hit, "Okolona River Bottom Band". She also collaborated on the album Bobbie Gentry & Glen Campbell, which earned a gold record certificate. Gentry made numerous guest appearances on TV shows hosted by Glen Campbell, Tom Jones, Andy Williams, Carol Burnett, and Bobby Darin. Among them was her performance of the Cajun number "Niki Hoeky" on The Summer Brothers Smothers Show.[12][13] In 1969, she released Touch 'Em with Love, her most critically acclaimed album, which gave her a number-one hit in the UK with "I'll Never Fall in Love Again" written by Burt Bacharach and Hal David. In January 1970 it became a number-six hit on the Billboard Hot 100 singles chart for Dionne Warwick.

Also in 1970 she received recognition for her composition "Fancy", which rose to No. 26 on the U.S. Country charts and No. 31 on the pop charts.[1] Gentry's personal view on the song:[14]

"Fancy" is my strongest statement for women's lib, if you really listen to it. I agree wholeheartedly with that movement and all the serious issues that they stand for—equality, equal pay, day care centers, and abortion rights.

The album, as was the case with the rest of her post-"Ode to Billie Joe" recordings, had little commercial success. However, it brought Gentry a Grammy nomination in the category of Best Female Vocalist.[15]

Stage performances and television work (1968–1981)

Gentry generated a significant fan base in the United Kingdom. In 1968/9 Gentry hosted her own series on BBC-TV in London,[16] which was later widely shown in Germany, the Netherlands, Australia and elsewhere. She later signed a million-dollar contract to headline in her own $150,000 nightclub revue in Las Vegas which she produced and choreographed, and for which she wrote and arranged the music. She said,[9]

I write and arrange all the music, design the costumes, do the choreography, the whole thing. I'm completely responsible for it. It's totally my own from inception to performance. I originally produced "Ode To Billie Joe" and most of my other records, but a woman doesn't stand much chance in a recording studio. A staff producer's name was nearly always put on the records.

In 1969, she taped four television specials for the Canadian CFTO television station for North American syndication.[17] In 1974, she hosted a short-lived summer replacement variety show on CBS called The Bobbie Gentry Happiness Hour. The show, which was her version of Campbell's hit series The Glen Campbell Goodtime Hour, also on CBS, was not renewed for a full season. That same year, Gentry wrote and performed "Another Place, Another Time" for writer-director Max Baer, Jr.'s film, Macon County Line.

In 1976, Baer directed the feature film Ode to Billy Joe, which was based on her hit song [18] and starred Robby Benson and Glynnis O'Connor. In the movie, the mystery of the title character's suicide is revealed as a part of the conflict between his love for Bobbie Lee Hartley and his emerging homosexuality. Gentry's re-recording of the song for the film hit the pop charts, as did Capitol's reissue of the original recording; both peaked outside the top fifty. Her behind-the-scenes work in television production failed to hold her interest. After a 1978 single for Warner Bros. Records, "He Did Me Wrong, But He Did It Right" failed to chart, Gentry decided to retire from show business. Her last public appearances as a performer were on Christmas Night 1978 as a guest on The Tonight Show Starring Johnny Carson and on 10 May 1981 on All-Star Salute to Mother's Day.[19] After that, she settled in Los Angeles and remained out of the public eye.[1]

Personal life
Gentry has been married three times. Her first marriage was to casino magnate Bill Harrah on December 18, 1969; they were granted a divorce on April 16, 1970. She married a businessman named Tom Toutant in 1976 and again was divorced in less than a year. She married singer and comedian Jim Stafford on October 15, 1978; they divorced just short of one year, after the birth of their son Tyler. She has not since remarried.[20][21] From 1968 until 1987, she also had partial ownership of the Phoenix Suns.

In a 2016 article, a Washington Post reporter indicated she currently lives a private life about a two-hour drive from the site of the Tallahatchie River bridge that made her famous.[5]

Artistry
In this photograph from the November 10, 1967 issue of Life magazine, Gentry strolls across the Tallahatchie Bridge in Money, Mississippi. The bridge collapsed in June 1972.[22] In the hectic societal atmosphere of 1967, Bobbie Gentry's "Ode to Billie Joe" stood out with its simplicity and integrity.[23] Gentry is one of the first female country artists to write and produce her own material.[1] Typically her songs have autobiographic characteristics.[23]

Legacy
Gentry charted 11 singles in Billboard Hot 100[1] and four singles in the Top 40 of the UK Singles Chart.[4]

Beth Orton recorded a song entitled "Bobby Gentry" featured on her The Other Side of Daybreak album. Similarly, Jill Sobule recorded "Where Is Bobbie Gentry?" for her album California Years. Gentry's 1969 composition "Fancy" provided a top-ten country hit for Reba McEntire, who covered the song in 1991.

Producer and singer Joe Henry, in a 2011 interview, cited "Ode" as "an incredibly deft bit of writing in the way that that story is unfolded. … [I]t places the character in a moment, and then the story just starts to unfold around it", and was a song that influenced him early in his life listening to music on the radio.[24]

On 14 May 2012, BBC Radio 2 in the UK broadcast a documentary entitled Whatever Happened to Bobbie Gentry?, presented by country music artist Rosanne Cash.[25]

Discography
Albums

Year

Album

Peak chart positions[1]

Certifications (sales thresholds)

US Country

US

CAN

UK[26]

1967 Ode to Billie Joe Label: Capitol T/ST-2830 1 1 — — US: Gold 1968 The Delta Sweete Label: Capitol ST-2842 — 132 — — Local Gentry Label: Capitol ST-2964 — — — — Bobbie Gentry and Glen Campbell (with Glen Campbell) Label: Capitol ST-2928 1 11 8 50 US: Gold Way Down South Label: EMI MFP-5006 — — — — 1969 Touch 'Em with Love Label: Capitol ST-155 42 164 — 21 Greatest Label: Capitol SKOA-381 — 180 — — 1970 Fancy Label: Capitol ST-428 34 96 79 — I'll Never Fall in Love Again Label: Capitol ST 21609 — — — — Bobbie Gentry Portrait Label: Capitol 5C-054 — — — — 1971 Patchwork Label: Capitol ST-494 — 221 — — Sittin' Pretty Label: Capitol ST-705 — — — — Tobacco Road Label: Capitol SF-706 — — — — Your No 1 Fan Label: Capitol SLAO-6715 — — — — 1983 All I Have to Do Is Dream (with Glen Campbell) Label: Capitol MFP-5600 — — — — 1990 Bobbie Gentry's Greatest Hits Label: Curb D2-77387 — — — — 1994 The Best of Bobbie Gentry Label: Capitol CDMFP 6115 — — — — 1995 Bobbie Gentry – The Hit Albums Label: DISKY HA-860502 — — — — 1998 The Golden Classics of Bobbie Gentry Label: Collectibles CD 5862 — — — — 2000 The Capitol Years: Ode to Bobbie Gentry Label: EMI 7243 — — — — 2002 An American Quilt 1967–1974 Label: Raven 1302 — — — — 2008 The Very Best Of Bobbie Gentry Label: Nashville Catalog — — — —

Singles

Year

Title

Peak chart positions

Album

US Country

US

US AC

CAN Country

CAN

CAN AC

UK [26]

1964 "Requiem for Love" — — — — — — — N/A 1967 "Ode to Billie Joe" 17 1 7 — 1 — 13 Ode to Billie Joe

"I Saw an Angel Die" — — — — — — —

"Okolona River Bottom Band" — 54 — — 49 — — The Delta Sweete 1968 "Louisiana Man" 72 100 — — — — —

"Hushabye Mountain" — — — — — — — N/A 1969 "I'll Never Fall in Love Again" — — — — — — 1 Touch 'em with Love

"Casket Vignette" — — — — — — — The Local Gentry 1970 "Fancy" 26 31 8 1 26 20 — Fancy

"Raindrops Keep Fallin' on My Head" — — — — — — 40

"He Made a Woman Out of Me" — 71 — — 57 — —

"Apartment 21" — 81 19 — 68 — — N/A 1971 "But I Can't Get Back" — — 37 — 93 — — Patchwork 1972 "Girl from Cincinnati" — — — — — — — N/A 1976 "Another Time, Another Place" — — — — — — —

"Ode to Billie Joe" (re-recording) — 65 — — 92 46 — Ode To Billie Joe (soundtrack) 1978 "He Did Me Wrong But He Did It Right" — — — — — — — N/A "—" denotes releases that did not chart

Singles with Glen Campbell

Year

Title

Peak chart positions

Album

US Country

US

US AC

CAN Country

CAN

CAN AC

UK [26]

1968 "Morning Glory" — 74 32 — 81 — — Bobbie Gentry and Glen Campbell 1969 "Let It Be Me" 14 36 7 1 85 15 — 1970 "All I Have to Do Is Dream" 6 27 4 2 36 3 3 N/A "—" denotes releases that did not chart

Charted B-sides

Year

Title

Peak chart positions

Original A-side

US Country

US

1968 "Less of Me" (with Glen Campbell) 44 — "Morning Glory" 1969 "Touch 'em with Love" — 113 "Casket Vignette" "—" denotes releases that did not chart