Berlin Philharmonic

The Berlin Philharmonic (German: Berliner Philharmoniker), is an orchestra based in Berlin, Germany and is consistently ranked as one of the best orchestras in the world.

Formerly Berliner Philharmonisches Orchester; BPO, its primary concert venue is the Philharmonie, located in the Kulturforum area of the city. Since 2002, its principal conductor has been Sir Simon Rattle. Funding for the organization is subsidized by the city of Berlin and a partnership with Deutsche Bank.

In 2006, ten European media outlets voted the Berlin Philharmonic number three on a list of "top ten European Orchestras", after the Vienna Philharmonic and the Royal Concertgebouw Orchestra,[1] while in 2008 it was voted the world's number two orchestra in a survey among leading international music critics organized by the British magazine Gramophone (behind the Concertgebouw).[2] The BPO supports several chamber music ensembles.

Contents

1 History 2 Concert halls 3 Principal conductors 4 Awards and recognition 5 See also 6 References 7 Further reading 8 External links

History
The Berlin Philharmonic was founded in Berlin in 1882 by 54 musicians under the name Frühere Bilsesche Kapelle (literally, "Former Bilse's Band"); the group broke away from their previous conductor Benjamin Bilse after he announced his intention of taking the band on a fourth-class train to Warsaw for a concert. The orchestra was renamed and reorganized under the financial management of Hermann Wolff in 1882.[3] Their new conductor was Ludwig von Brenner; in 1887 Hans von Bülow, one of the most esteemed conductors in the world, took over the post. This helped to establish the orchestra's international reputation, and guests Hans Richter, Felix von Weingartner, Richard Strauss, Gustav Mahler, Johannes Brahms and Edvard Grieg conducted the orchestra over the next few years. Programmes of this period show that the orchestra possessed only 46 strings, much less than the Wagnerian ideal of 64.

In 1895, Arthur Nikisch became chief conductor, and was succeeded in 1923 by Wilhelm Furtwängler. Despite several changes in leadership, the orchestra continued to perform throughout World War II. After Furtwängler fled to Switzerland in 1945, Leo Borchard became chief conductor. This arrangement lasted only a few months, as Borchard was accidentally shot and killed by the American forces occupying Berlin. Sergiu Celibidache then took over as chief conductor for seven years, from 1945 to 1952. Furtwängler returned in 1952 and conducted the orchestra until his death in 1954.

Sir Simon Rattle conducting the Berlin Philharmonic Orchestra in 2006 His successor was Herbert von Karajan, who led the orchestra from 1955 until his resignation in April 1989, only months before his death. Under him, the orchestra made a vast number of recordings and toured widely, growing and gaining fame. The orchestra hired its first female musician, violinist Madeleine Carruzzo, in 1982.[4] When Karajan stepped down, the post was offered to Carlos Kleiber, but he declined.

In 1989, the orchestra elected Claudio Abbado as its next principal conductor. He expanded the orchestra's repertoire beyond the core classical and romantic works into more modern 20th-century works. Abbado stepped down from the chief conductorship of the orchestra in 2002. During the post-unification period, the orchestra encountered financial problems resulting from budgetary stress in the city of Berlin.[5] In 2006, the Orchestra Academy of the Berlin Philharmonic established the Claudio Abbado Composition Prize in Abbado's honour.[6]

In June 1999, the musicians elected Sir Simon Rattle as their next chief conductor.[7] Rattle made it a condition of his signing with the Berlin Philharmonic that it be turned into a self-governing public foundation, with the power to make its own artistic and financial decisions. This required a change to state law, which was approved in 2001, allowing him to join the organization in 2002. Rattle's contract with the orchestra was initially through 2012. In April 2008, the BPO musicians voted in favour of retaining Rattle as their chief conductor through 2018.[8] From 2006 to 2010, the general manager of the orchestra was Pamela Rosenberg.[9] In September 2010, Martin Hoffmann became the orchestra's new Intendant.[10] In February 2016, the orchestra announced that Hoffmann is to stand down as its Intendant after the close of the 2016-2017 season.[11]

In 2006, the orchestra announced it would investigate its role during the Nazi regime.[12] In 2007, Misha Aster published The Reich's Orchestra, his study of the relationship of the Berlin Philharmonic to the rulers of the Third Reich.[13] Also in 2007, the documentary film The Reichsorchester by Enrique Sánchez Lansch was released.[14]

UNICEF appointed the Berlin Philharmonic Orchestra and Rattle as Goodwill Ambassadors in November 2007.[15] On 10 January 2013, the orchestra announced the scheduled end of Rattle's tenure as artistic director and chief conductor in 2018.[16] After a first abortive attempt on 11 May 2015 to choose a successor to Rattle,[17] on June 22 2015, the orchestra announced its election of Kirill Petrenko as its next chief conductor.[18][19] At the time of Petrenko's election, a starting date had not been announced for his tenure. In October 2015, the orchestra announced that Petrenko is formally to commence his contract as chief conductor in the 2019-2020 season, with scheduled guest appearances in the seasons prior to 2019-2020.[20][21]

Concert halls
The orchestra's first concert hall, the Philharmonie situated on the Bernburger Straße in Berlin Kreuzberg, was inaugurated in 1882 in a building previously used as an ice rink and converted by the architect Franz Schwechten. In 1898, a smaller concert hall, the Beethovensaal on Köthener Straße, was also inaugurated for chamber music and chamber ensembles. The first Philharmonie was used until British bombers destroyed it on 30 January 1944, the anniversary of Hitler becoming chancellor.[22] The orchestra played until the end of the war in the Staatsoper, Unter den Linden. The Staatsoper was also destroyed on 3 February 1945. In need of a venue, the Berlin Philharmonic played during the years following the war in the Titania-Palast, an old movie theater converted in a concert hall, and still used the Beethovensaal for smaller concerts. During the 1950s the orchestra moved its concerts at the Musikhochschule (today part of the Berlin University of the Arts), in the Joseph-Joachim-Konzertsaal. However, most of the recordings were done at the Jesus-Christus-Kirche in Berlin Dahlem, celebrated for its acoustics.

Waldbühne, site of an annual summer concert The need for a new Philharmonie was expressed since 1949, when the Gesellschaft der Freunde der Berliner Philharmonie e.V. (Friends of the Berliner Philharmonie Society) was created to gather funds. The building of the new Philharmonie started in 1961, following the design of architect Hans Scharoun, and it was inaugurated on 15 October 1963, with a performance of Beethoven's Ninth Symphony, conducted by Herbert von Karajan. Its location made it part of the Kulturforum, and the great hall (2,440 seats) was then complemented by a chamber-music hall, the Kammermusiksaal (1,180 seats), built in 1987, following the design of architect Edgar Wisniewski, after a project by Hans Scharoun.

The Berliner Philharmonie has since been the home of the Berlin Philharmonic, and its symbol. The orchestra's logo is based on the pentagon-shape of the concert hall.

On 20 May 2008, a fire broke out at the Philharmonie. One-quarter of the roof underwent considerable damage as firefighters cut openings to reach the flames beneath the roof.[23][24] The hall interior also sustained water damage, but was otherwise "generally unharmed." The firefighters limited damage by the use of foam. The orchestra was restricted from use of the hall for concerts until June 2008.[25]

On 18 December 2008, the orchestra announced the official creation of a Digital Concert Hall.[26] This hitherto unique internet platform of the BPO enables persons with computer access all over the world to see and hear the Philharmonic's concerts, live or on demand, not only under recent conductors, but even previous concerts conducted, e.g., by Claudio Abbado. Since July 2014, the Digital Concert Hall additionally offers livestreams produced from HD movies of concerts by Herbert von Karajan in the 1960s and early 1970s.

In 2015, the orchestra chose Kirill Petrenko to succeed Rattle as the next chief conductor. He would begin leading the orchestra in the 2018 to 2019 season. Petrenko will remain with the Bavarian State Opera until 2018, as he under contract with the other unit until that year.[27]

Principal conductors
Ludwig von Brenner (1882–1887) Hans von Bülow (1887–1892) Arthur Nikisch (1895–1922) Wilhelm Furtwängler (1922–1945) Leo Borchard (May – August 1945) Sergiu Celibidache (1945–1952) Wilhelm Furtwängler (1952–1954) Herbert von Karajan (1954–1989) Claudio Abbado (1989–2002) Sir Simon Rattle (2002–present)

Awards and recognition
Classical BRIT Awards 2001 – "Ensemble/Orchestral Album of the Year" – Sir Simon Rattle, Mahler: Symphony No. 10 (EMI, 2000) 2003 – "Ensemble/Orchestral Album of the Year" – Sir Simon Rattle, Mahler: Symphony No. 5 (EMI, 2002)

Grammy Awards 1970 – Best Opera Recording – Herbert von Karajan, Helga Dernesch, Thomas Stolze, Jess Thomas, Wagner: Siegfried (DGG, 1969) 1979 – Best Orchestral Performance – Herbert von Karajan, Beethoven: Symphonies (9) (Complete) 1993 – Best Orchestral Recording – Leonard Bernstein, Mahler: Symphony No. 9 (DGG, 1992; recording 1979) 1995 – Best Chamber Music Performance – Daniel Barenboim, Dale Clevenger, Larry Combs, Daniele Damiano, Hansjörg Schellenberger, Beethoven/Mozart: Quintets (Chicago – Berlin) (1994) 1998 – Best Small Ensemble Performance – Claudio Abbado, Hindemith: Kammermusik Nr. 1 mit Finale 1921, Op. 24 No. 1 (with members of Berlin Philharmonic Orchestra) (EMI, 1996) 2000 – Best Classical Vocal Performance – Claudio Abbado, Anne Sofie von Otter, Thomas Quasthoff: Mahler: Des Knaben Wunderhorn (DGG, 1999) 2001 – Best Orchestral Performance – Sir Simon Rattle, Mahler: Symphony No. 10 (EMI, 2000) 2007 – Best Instrumental Soloist(s) Performance (with orchestra) – Antonio Pappano, Leif Ove Andsnes: Rachmaninov, Piano Concertos 1 and 2 (EMI, 2006)[citation needed]

Gramophone Awards 1981 – "Opera Recording of the Year" – Herbert von Karajan, Wagner: Parsifal (DGG, 1980) 1981 – "Orchestral Record of the Year" – Herbert von Karajan, Mahler: Symphony No. 9 (DGG, 1980) 1984 – "Record of the Year" – Herbert von Karajan, Mahler: Symphony No. 9 (DGG, 1984; live recording 1982) 2000 – "Orchestral Record of the Year" – Sir Simon Rattle, Mahler: Symphony No. 10 (EMI, 2000) 2004 – "Concerto" – Mariss Jansons, Leif Ove Andsnes, Grieg: Piano Concerto and Schumann: Piano Concerto (EMI, 2004) 2006 – "Record of the Year" – Claudio Abbado, Mahler: Symphony No. 6 (DGG, 2005)

ECHO (formerly Deutscher Schallplattenpreis) of Deutsche Phono-Akademie 2003 – Chorwerkeinspielung – Sir Simon Rattle, Rundfunkchor Berlin, MDR Rundfunkchor Leipzig, Ernst-Senff-Chor Berlin, Karita Mattila, Anne Sofie von Otter, Thomas Moser, Philip Langridge, Thomas Quasthoff: Schoenberg, Gurre-Lieder (EMI, 2002) 2006 – Musik-DVD Produktion des Jahres – Sir Simon Rattle, Thomas Grube and Enrique Sánchez Lansch (director), Uwe Dierks (producer): Rhythm Is It! (2005) 2006 – Sinfonische Einspielung – Claudio Abbado: Mahler, Symphony No. 6 (DGG, 2005)

Timbre de Platine (Platinum Stamp) awarded by Opéra International magazine 1987 – Riccardo Muti, Mozart: Requiem (EMI, 1987)